Volume 1 — Here I Am at the Threshold
I arrived at the edge of my own noise,
where my thoughts stopped running
and my soul finally remembered how to stand still.
Not because I was strong—
but because the weight of pretending
became heavier than confession.
So I stepped into Your light
with hands that had no proof,
only hunger.
I had rehearsed many speeches,
but heaven does not need my performance—
it only asks for my presence.
And in the doorway of mercy
I felt it:
the quiet pull of holiness,
not as terror,
but as truth.
My name sounded different
when You spoke it without accusation.
My history softened
under the warmth of Your gaze.
I did not come flawless.
I came honest.
I did not come with answers.
I came with open space.
Here I am—
at the threshold of the unseen,
where faith is not a leap,
but a yes whispered
before the miracle appears.
Volume 2 — Here I Am with Empty Hands
I used to arrive carrying titles,
carrying plans,
carrying the polished versions of myself
that people clap for.
But You asked for my hands—
not my highlights.
So I emptied them.
I laid down my need to be understood.
I laid down my need to be right.
I laid down my habit of holding grief
like a private altar.
And when my palms finally opened,
I realized:
I had been gripping control
so tightly
I could not feel You.
You do not demand my perfection.
You invite my surrender.
So take my strength—
if it makes me proud.
Take my weakness—
if it makes me hide.
Take my timeline—
if it keeps me anxious.
Take my fear—
if it keeps me small.
I will not bargain with obedience.
I will not delay my devotion.
Here I am—
with empty hands
and a full heart,
ready to be filled
by whatever You call holy.
Poetry - His Grace is Enough
Volume 3 — Here I Am in the Firelight
Some prayers are answered
with open doors.
Others are answered
with refining.
And I learned the difference
when the heat arrived
without explanation.
Not every flame is destruction.
Some fires are permission—
heaven’s way of burning away
what cannot travel with destiny.
The fire found my false confidence.
It found my secret bitterness.
It found my pride dressed as “discernment.”
It found my wounds pretending to be wisdom.
And still—
You stayed.
You did not watch from a distance.
You were the Presence
within the furnace.
So I stopped calling it punishment.
I started calling it purity.
Because something in me
began to shine
without trying.
My faith stopped being a costume
and became a core.
Here I am—
in the firelight,
not forsaken,
not finished,
but forged.
"Ambiguous Wheel" — a fast, 2:20 cinematic ad from Paize Usiosefe Poetic Anthology. This urban-poetic short blends smoky alleys, hawks in mist, weaverbirds, and a hopeful dawn into a reflective, spiritual awakening. Shot as an InVideo cinematic storyboard, it follows the original script word-for-word with slow pans, gritty textures, ambient beats and a final orchestral swell. Perfect for urban poetry lovers and cinematic storytelling fans. Keywords: Ambiguous Wheel, Paize Usiosefe, Poetic Anthology, urban-poetic, spiritual awakening, cinematic storyboard, InVideo. If this moved you, please like and share — help this poem reach the streets. #AmbiguousWheel #PaizeUsiosefe #UrbanPoetry #CinematicStorytelling
“A Fringe of Fantasy” — a short cinematic script by Paize Usiosefe from the Poetic Anthology of Paize. This fast‑paced 2‑minute ad blends misty cityscapes, silhouette dancers, surreal gallery scenes, moonlit slow‑motion and a redemptive dawn to evoke spiritual longing and poetic truth. Crafted for cinematic script production and YouTube ads, the film uses soft cinematic lighting, ambient orchestral motifs, and symbolic visuals to move from illusion to awakening. Perfect for poetry and literature lovers, filmmakers, and creatives seeking inspiration. If this moved you, please like and share the video to spread Paize’s verse. #Poetry #Cinematic #PaizeUsiosefe #PoeticAnthology #InVideo #ShortFilm
Faith-Based Story
When Grace Met the Wilderness
By Pinnacle Message
Narrative:
Mara had always known the feel of emptiness. After her husband left and her family turned their backs, she wandered emotionally and spiritually—like Israel in the desert. Her heart was dry, her prayers dust. She lived paycheck to paycheck, and her Bible remained closed on the nightstand like a forgotten well.
One evening, broken by a final rejection letter from a job she desperately needed, Mara walked out into the woods behind her rented apartment. With tears streaking her cheeks, she whispered, “God, if You’re out there, I’m here too... just lost.”
And there, beneath the hush of pine and the chill of the night air, something unexplainable happened. A breeze stirred—not cold, but warm like breath. Her shoulders relaxed. She felt wrapped in something invisible yet real. Not pity. Not coincidence.
It was grace.
Verses she hadn’t read in years flooded her mind like water bursting a dam: “My grace is sufficient for you.”
“I will make a way in the wilderness and rivers in the desert.”
In that moment, Mara didn’t receive a job or a miracle check in the mail. But she stood up differently. She walked back with a new knowing: she was not alone. God had met her in the wilderness. And grace had a name—Jesus.
Summary:
Mara, a woman shattered by rejection and abandonment, reaches her breaking point in the wilderness of her life. There, in the silence of pain, she encounters the sustaining power of God’s grace. No dramatic rescue—just the gentle, undeniable presence of God in the stillness.
Conclusion:
Wilderness is where many expect God to be silent. But for the faithful or even the faltering, it’s often where He speaks the loudest—not with thunder, but with grace. When grace meets your wilderness, it doesn’t always change the landscape immediately… but it changes you forever. And in that change, the desert begins to bloom.
The Last Oil in the Jar
By Pinnacle Message
Narrative:
The widow stared at the jar. It held just enough oil for one final meal. Her son sat nearby, unaware that this would be their last supper. Famine had consumed the land—and now, it was coming for them.
Then came the knock.
A man stood at the door, dusty from travel, calm with conviction. “Bring me a little water,” he said. “And a piece of bread.”
She hesitated. “As the Lord your God lives,” she answered, “I have nothing baked—only a handful of flour in a jar and a little oil in a jug. I’m gathering sticks to prepare it for me and my son, that we may eat it and die” (1 Kings 17:12).
The prophet Elijah looked at her and said, “Do not fear. First make me a small cake, then for yourself and your son. For the Lord says: The jar shall not be spent, and the jug shall not run dry.”
Faith warred with logic. But something in his eyes told her—this was God speaking.
She obeyed.
That night, they ate. The next day, she checked the jar. Still full. Day after day, the miracle continued. The oil did not fail. Nor did God.
Summary:
A widow on the brink of death is asked to give the very last of what she has. In her obedience, she unlocks divine provision—not just for herself, but for the prophet and her son. Her story becomes one of endurance, supply, and supernatural trust.
Conclusion:
God never asks us to give what we don’t have—He asks us to trust Him with what we do. The last oil in the jar wasn’t the end; it was the beginning of overflow. When obedience meets divine promise, even the smallest act becomes the stage for a miracle. When your jar is empty, Heaven’s hand begins to pour.
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